Tularosa Threnody
A Novel Begins
Tularosa Threnody
A serialized historical novel in progress.
Iâm beginning a new long form project here on The Clareifi Collective: a serialized historical novel in progress titled Tularosa Threnody.
This book is both my own work and a continuation of a story that began before me.
Tularosa Threnody builds on the life of Gospel Storey, the central character from my fatherâs short story, âThe Virgin.â Written decades ago, The Virgin serves as the narrative and emotional foundation of this novel. I've included it here as the prologue, placed immediately after the dedication and epigraph, exactly where it belongs, as the doorway into Gospelâs life.
From there, the story continues under my hand.
Set in the late nineteenth century against the unforgiving landscapes of the Chihuahuan Desert, Tularosa Threnody is a work of historical literary fiction shaped by survival, memory, and the long shadow of American expansion. It follows Gospel Storey, a former Buffalo Soldier, as he travels north along the Rio Grande with his Navajo wife, Nascha, in the aftermath of their childâs death.
They move through frontier towns, military outposts, and long stretches of open desert, places defined as much by absence as by conflict. Gospel wrestles with guilt, identity, and a fractured faith, while Nascha carries the weight of her ancestors and their traditions in a world intent on erasing them. The Tularosa Basin, marked by sacred ground and military ambition, becomes the crucible where grief, love, conquest, and resistance collide.
This is a story of loss and endurance, but also of what survives: love, memory, and the stubborn human will to continue even when history has stacked the odds against you.
This post serves as the entry point and living archive for the project. As chapters and related material are published, this space will remain the place to begin.
Dedication
For Dad
Epigraph
âEvery struggle, whether won or lost, strengthens us for the next to come. It is not good for people to have an easy life. They become weak and inefficient when they cease to struggle. Some need a series of defeats before developing the strength and courage to win a victory."
â Beduiat
Not an easy life then, but a tested one. Not clean victories, but resilience shaped through loss, persistence, and survival.
This is - Tularosa Threnody.
Prologue
The Virgin
by Clarence Giles
Tularosa Threnody begins with âThe Virgin,â a short story written by my father, Clarence Giles. I've included it here in full as the prologue to the novel. It establishes the moral, emotional, and spiritual ground from which everything that follows grows.
The Virgin by Clarence Giles
The Virgin
It was the soldiersâ tenth day searching for Mescalero-Apaches with no luck.
First Sergeant Cecil Mackey bent to retrieve the reins he had dropped as he watered his horse in a foothill spring of the desolate, west Texas Guadalupe mountains. At the same time, he and other Buffalo Soldiers heard the familiar crack of a Springfield carbine.
Flinching, his first thought was, âWhat fool is firingâ his carbine?â The bullet had struck the water about two yards in front of him and would have hit him in the upper back had he not bent to retrieve the reins just before the carbineâs report. Then, he heard multiple crackling gunshots. This time, he realized the shots were too far away to have come from his comrades spread along the meandering springâs bank. Fear replaced anger, sending a chill down his spine as he realized the shot was from an Apache, not his soldiers.
Already wearing their bandoliers, the men moved quickly, up and down the twisting bank, snatching carbines from their saddle scabbards to return fire while diving for cover near buckboard-sized, squatting boulders along the streamâs bank. The Apaches had the high ground, Mackey realized. With the morning sun at their backs, the only way the soldiers could aim was to shoot at the small clouds discharged from the Apacheâs rifle muzzles as they fired down on them.
The cavalrymenâs withering return fire spoke to their fear, anger, and embarrassment. They had no idea how many Indians were shooting, but they would hold their ground, firing until the Mescalero-Apaches backed off. And suddenly, just as it had begun, it ended. Ghost-like, the Indians retreated, and Mackey signaled the men with a closed, raised fist, to âhold position.â The soldiers remained in their positions for more than an hour after the battle, waiting, lest they be lured into gun sights again. Mackey, at the middle of the firing line, finally risked exposure and signaled the men to rise, retrieve their mounts, and remain silent and vigilant.
The soldiers of the 10th Calvary out of Fort Quitman continued their patrol riding their mounts in close formation, well away from the Guadalupes, enduring the unseasonable April heat of the West Texas Salt Flats. They headed southeasterly, toward Fort Quitman. Mackey was the first to speak. âYou men showed real good dis mohânin aginâ the Apache.â
âThat mean sumâ ohâ us gonâ get recommended?â Gospel Storey interrupted.
âRecommended foâ whut boy?â Challenged Mackie. âYou git thirteen US dollahs a montâ, three squares a day, a hoss, guns anâ a place to sleep. âWhut moâ you won't? Nah, shut yoâ big young-ass stupid mouth while Iâs talkingâ. Das ah order!â His glare dared Gospel to interrupt again. âAhâll be puttingâ some oh y'all in foâ recommendation's.â
The other soldiers, exhausted and numbed from the battle, merely rode on quietly. Mackeyâs fifteen years as a Buffalo Soldier told him that they had heard and there was no need to say anything more, as they continued riding the eighty miles back to Fort Quitman. Gospel kept his mouth shut. It took three days to reach the Fort, and fortunately, for the cavalrymen, there were no Apaches this time.
Seventeen-year-old Gospel, an orphan from Tennessee born in 1863, two years before President Lincolnâs assassination, ended up in Texas when Fort Quitman was re-commissioned in 1880. Like most of the soldiers at the Fort, Gospel was transferred in from Fort Selden in Las Cruces, New Mexico. In the early days of the Indian campaigns, the troops were made up mostly of former slaves, but now young men like Gospel joined the army to support the cause, riding the open plains and deserts, chasing and fighting the Comanche and Mescalero-Apache of Southern New Mexico and West Texas.
The army offered a hardscrabble life with no regular recreation, save that made by the troops. There were no tasty meals, and no women. That was life, and some soldiers had âsweetheart heartâ duty, which meant riding escort on stage coaches heading west with payrolls to west Texas and Southern New Mexico towns. Buffalo Soldiers who âwonâ this duty returned to the Fort as best they could. Most of the time it meant a long walk home, but Gospel didnât mind the rigors of such a life. He thrived on adventure, enjoyed chasing the Indians and warding off attacks.
The night of the Buffalo Soldiersâ return to Fort Quitman, the post commander debriefed Mackey. It was evening and the soldiers were finishing their daily military and personal chores, breaking up into groups to talk about home and family, and what they would do when discharged from the army. No one spoke of the latest encounter with the Indians, but kept their emotions and information in check. Gospel gravitated towards the Fortâs young Mexican cook, Paco Sandoval, who, like him, was young, only nineteen. Paco spoke only Spanish, but Gospel had picked up enough Spanish during his first year in New Mexico territory at Fort Selden with the 9th Cavalry to understand most of what he heard. Gospel walked through the mess hall and into the kitchen at the back of the building, where he knew heâd find Paco.
âHola, Fransisco,â he said loudly so the men in the dining area would hear and embarrass the cook, who preferred being called âPaco.â
âÂżQue pas, perro feo?â Replied Paco, good-naturedly. They shook hands heartily.
âYou know, Paco, ah been thinkinâ, âbout God, a lot.â
âSĂ. La guerra con los indios hace que las personas piensen mucho en Dios,â said Paco.
âYeah. But⊠ahmâ sorta shame to say dis, but I donâ know how ta pray!â
âPues, oraciones son fĂĄcil, Gospel,â said Paco, with mild incredulity.
âYeah. Das easy foâ you tah say. You wuz born into a religion.â
âPero, amigo, no necesitas tener una religion para hablar con Dios, solo fe, Gospel.â
Gospel was uncomfortable with what he was about to ask, and Paco noticed his hesitation. âÂżQuĂ© pasa, amigo?â
âWell, uh, Paco, kin you, uh, teach me how to pray?â
âÂżSabes cĂłmo pedir mĂĄs huevos rancheros en la mañana, verdad?â
âWell, yeah,â Gospel admitted sheepishly. âBut dem is jesâ eggs!â
Paco held up his hand. âHaz lo mismo, pidele a Dios mĂĄs huevos rancheros. ÂĄEs facil!â
âItâs dat easy?â
âÂĄClaro que si! Y en caso de que Dios estĂ© muy ocupado, pĂdele Ă la Virgen de Guadalupe.â
âWhut you talkinâ, Paco?â
âEl espĂritu de La Virgen vive ne el oeste de las Montañas de Guadalupe. LlĂĄmala y ella te contestarĂĄ, y a la mejor hasta sĂ© ta aparece si lo haces con fe. Ahora, muĂ©vete, que tengo que mucho quehacer.â
Gospel stepped toward Paco and hugged him. âGracias, Francisco,â he blurted out, and Paco faked a punch at Gospel, who caught the intent and ran from the kitchen, as both young men laughed aloud.
The Apaches attacked Fort Quitman three times during the patrolâs week at home base. Five men were killed and the post commander, fuming, ordered Sergeant Mackey to organize a patrol. âThe hostiles think weâre just soft, sitting ducks.â Mackey recruited twenty of his best, highly experienced and disciplined men, ready to fight and crack shots. Gospel was among them.
Before the left Fort Quitman, Mackey made a show of walking his mount around the assembled and mounted men. Every now and then, simultaneously, lightly spurring his horse and restraining it.
âIf yoâ host is redâay, you betta be redâs too. We ride out taânite. When we reach the Guadalupeâs itâa be well pasâ sundown. When the sun comeâ up weâll be on high grounâ witâ da sun at ar backs. The Apaches took some fine men away from us lasâ week. We go ta honah, they deaths. If day any man who not willinâ to spill blood for his fallân brothas, you kin jusâ fall out nah,â said Mackey. Then, he spurred his mount to prance around the men several more times, skeptically starring them down. Convinced they were psychologically fortified, he called, âFoâwad. Hoâoh!â, and the soldiers rode into the night, toward their vengeful mission.
When the patrol entered the foothills of the Guadalupeâs, the horses were sequestered in a makeshift corral near the base of the mountain, at the foothills. One cavalryman was left to guard them.
âStorey,â barked Mackey, âyou and those other five men take a spot foâwad. Space yoâsefs about thirty yaâds apart. I want my besâ shootahs on the high spots.â
âYas suh, sarjunt,â responded Gospel.
It was close to daybreak, the sun had not yet sliced the horizon, and the men had been in place for three hours. They lined the low ridge that would be in sunlight when the sun rose. Gospel heard what he thought sounded like someone choking off to his right. He signaled to one of the men closest to him that he was going to leave his position and investigate.
The men telegraphed with their hands, Gospelâs intentions up and down the jagged firing line.
Crouching low behind the line of men, Gospel treaded carefully toward the direction of the sound. As he approached the man at the end of the firing line, he noticed the soldier appeared to be sitting in an unnatural bolt, stiff position. Gospel picked up a pebble and tossed it toward him. It hit the soldier, and for a moment, he appeared to start like a frightened animal before falling over to the side. Gospel knew what it meant, but before he could reach the body, a young brave jumped from the dry rivulet bed behind him with his carbine up to fire in the direction of Gospel. Instinctively, Gospel swung the butt of his rifle at the Indianâs head, knocking him down then stabbing him in the chest with his bayonet. Around him, gunshots went off, and he fell back into the rivulet and began firing down the mountain at puffs of gun smoke and sprinting Indians.
The battle wore on for more than two hours. The sun was halfway directly above them. It was clear the Indians would not give up, and they would have to be captured, or be killed. Close to noon, the shooting stopped inexplicably. To Gospelâs dismay, the patrol had only captured seven enemies. They had no idea how many had got away, or how many had been killed. As for Gospel, he had sustained cuts on the palms of both hands, and was bleeding from a bullet that had creased his left thigh.
By the time the soldiers tended their wounds and those of their enemiesâ it was mid-afternoon, and they were well on their way to Salt Flat. As they moved southwest, toward Fort Quitman, Gospel looked easterly, over his left shoulder toward the Guadalupe Mountains, and he remembered wha Paco had said about the Virgin. For the first time, he noticed the majestic, imposing Guadalupe Mountains, rising high above the Salt Flat. He was filled with awe and reverence, and suddenly, he felt an urge to pray. The battle, he noticed, had left him vulnerable and weary. It seemed to Gospel like he had been fighting for âthe causeâ for years, although it had only been one year since he had joined the Buffalo Soldiers.
He looked around, noticing how the waiting horizon accepted the sun in quarter phases. As the patrol and the prisoners rode farther away from the mountains, the Flat consumed and converted the fading light to a welcomed cool until a chilled twilight descended upon them, finally dissolving the burnt orange day to the horizon.
The soldiers rode on. Gospel could not help but look over his shoulders toward the dark outline of the Guadalupe Mountains, and the further he rode from the mountains, the heavier his weariness. The yearâs battles with the Indians had finally taken its toll on him.
He prayed silently, this time with fervor, and it was in the twilight, in that moment as the balance of fading light, heat, and skulking chill embraced the encroaching dusk that Gospel saw her as he turned one last time to look at the mountains. He stiffened in his saddle.
âItâs her! Itâs her!â He yelled, reining his horseâs head toward the mountains. Startled, the patrol stopped, turning their horses in the direction of the Guadalupes, they followed Gospelâs mesmerized eyes. At first, no one spoke, then, one by one the soldiers whispered, âDah she is!â The whispering turned into excited shouts as the soldiers struggled for room, trying not to bump into each other, or lose the prisoners. In the winning light, eight thousand feet above Salt Flat, they saw her in repose, stretched out about a quarter mile, her head to the south, her rounded shoulders, a modest rise of breast, her arm bent at the stomach, with gathered skirts covering a length of thigh, a soft knee and feet.
âWhat the hell! What foolishness are you talkinâ now? Quit dat noise you spookinâ the hosses,â growled Mackey.
No one seemed to noticed Mackeyâs angry snarl, and Gospel felt a weight of mourning leak from his heart as he lifted his head toward the image of the Virgin. His doubt dissolved into sweet tears of recognition, and for the first time in his life, he felt peace washing over him. He knew then life would be different, and breaking away from the patrol, he rode toward the mountains, leaving Mackey shouting behind him.
Everything that follows grows out of this beginning.
My work does not replace The Virgin. It listens to it, responds to it, and moves forward from where it leaves off. In my mind, Gospel Storeyâs life continues beyond the boundaries of that original story, shaped by history, love, grief, and the long consequences of survival.
Chapter One will begin the novel proper.
Chapter Outline
đ Chapter One - Wolf
- PART I: The Pollen and the Cloth (up next)
Reading access & supporting the work
Tularosa Threnody is being written slowly and deliberately. That pace matters. It allows the work to stay grounded in research, memory, and care rather than urgency or volume.
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Authorâs note
Tularosa Threnody lives on The Clareifi Collective because this is where my long form work is meant to reside, unrushed, connected, and accountable to a larger body of writing.
The Collective isnât a platform optimized for speed or scale. Itâs a home for projects that require time, continuity, and care. This novel grows out of family history, archival memory, and lived research, and it belongs in the same place as the essays, notes, and other work that surround it.
Publishing Tularosa Threnody here allows it to exist as more than a sequence of chapters. It becomes part of an ongoing record, one that values context, lineage, and the slow work of building something meant to last.
âđœđ€ Euri